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| Updated: 11/30/2001 |
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Week 9 - Monday 5/6/1991 Recording "Ali Akbar". The Styrofoam incident. The session began at 11:00. After listening to playbacks of our work from Friday, we decided to record the basic tracks for Ali Akbar with a faster tempo. Puig, ever the experimenter, stuck a 12 inch speaker in front of the bass cabinet to act as a transducer, but the results were too flabby sounding. He returned to the usual Church mic setup for the bass. I lowered the volume of the Vox head and backed off the presence control on the Hiwatt amp to create a punchier bass tone. Winegar employed one of his favorite drum miking techniques, aiming a Sennheiser 421 at the underside of the snare from a few feet away. When Puig ran the recorded signal through an Alesis Microlimiter, Winegar was thrilled with the results. We played take after take until 1:00 p.m., by which time we had a good one in the can. Winegar and I spent the next two hours performing corrective punch-ins. Winegar doubled the rhythm guitar track using a Vibrolux amp, followed by lead guitar parts with his Strat into the old Masco amp. We used a Shure SM 56 mic to record his solos, aimed between the center and cone of the Masco's 8 inch speaker. I overdubbed some riffs for the outro section using my Les Paul into a Vox AC15.
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| ©2001 Derek Greenberg - all rights reserved | ||||||